Adrien Sina : Teaching Programmes, Bibliography

 *Bibliography I

 

*Exhibition / Colloquium / Group publications

 

Art au Corps (L'), 1996. Le corps exposé de Man Ray à nos jours. Curator: Philippe Vergne. Marseille: MAC - Musées de Marseille. ISBN 2-7118-3210-4

Body as a membrane, 1996. Catalog, Odense: Kunsthallen Brandt Klaedefabrik

Biennale de Lyon 1995/1996, Lyon: La réunion des musées Nationaux - AFAA

Féminimasculin, Le sexe de l'art, 1995. Paris: Centre Georges Pompidou. ISBN 2 85850 827 5

Fétiches et Fétichismes, 1998. Curator: Jean-Michel Ribettes. Paris: Passage de Retz & éd. Blanche. ISBN 291162149-2

Film Foto Wiener Aktionismus - Kurt Kren, 1998. Catalog. Texts of Robert Fleck, Hubert Klocker & Peter Gorsen. Wien: Einl. von Julius Hummel

Fotografie im Wiener Aktionismus (Zur), 1998. Catalog. Wolkersdorf: Hanno Millesi

Futurismo 1909-1919, 1972-3. Exhibition catalogue. London: Royal Academy of Arts

Gutai, 1999. Paris: Galerie National du Jeu de Paume

Hors Limites, L'Art et la Vie, 1952-1994, 1994. Paris: Centre Georges Pompidou

Immanences Spatiales, 2000. Curator: Adrien Sina. Paris: La Mazarine 13

Japon des Avant-Gardes 1910-1970, 1986. Paris: Centre Georges Pompidou

Judson Dance Theater: 1962-1966, 1981. New York: The Bennington College Judson Project

Out of Actions, 1998. Between Performance and the Object, 1949-1979. Curated by Paul Schimmel. Los Angeles: The Museum of Contemporary Art - Thames and Hudson

Performance: Text(e)s & Documents, Multidisciplinary Aspects of Performance: Postmodernism, 1980. Chantal Pontbriand. Montréal: Parachute

Projections, les transports de l'image 1997. Paris: Hazan/Le Fresnoy/AFAA. ISBN 285025570X

Rrose is a Rrose is a Rrose, 1997. Gender performance in photography, New York, Solomon R. Guggenheim Museum

Tragédies Charnelles / Fugitive Fluctuations, 2000. Curator: Adrien Sina. Paris: La Mazarine 12

Vision Machine, 2000. Musée des Beaux-Arts de Nantes: Somogy. ISBN 2-85056-390-0

Visionnary Architecture in Austria in th Sixties and Seventies, 1996. Curator: Günther Feuerstein. Venice Biennale

Wiener Aktionismus (Der), 1999. Positionen und Prinzipien. Kerstin Braun. Wien/Köln

Writings of the Vienna Actionists Brus, Muehl, Nitsch, Schwartzkogler, 1999. Directed by Malcolm Green. London: Atlas Arkhive Seven, Documents on Avant-garde. ISBN 1 900565 10 2

10 Ans de Poésie Directe, 1995. Marseille: Musées de Marseille

90s: A Family of Man? Images de l'Homme dans l'art contemporain (The), 1997. Commisaires: Paul di Felice, Pierre Stiwer. Luxembourg: Casino Luxembourg-Forum d'art Contemporain et Café Crème

 

 

 

*Bibliography II

*Monographies

 

*A

Abramovic, Marina, 1980. Relation Work and Detour. Amsterdam: Marina Abramovic and Ulay

Abramovic, Marina, 1983. Nightsea Crossing. Amsterdam: Museum Fodor

Abramovic, Marina, 1986. Modus Vivendi. Eindhoven: Stedelijk Van Abbemuseum

Abramovic, Marina, 1994, in collaboration with Charles Atlas. Marina Abramovic. Ostfildern: Cantz

Abramovic, Marina, 1995. Cleaning the House. London: Academy Editions. ISBN 1854903993

Abramovic, Marina, 1995. Objects, Performances, Video, Sound. Exh. Cat. Oxford: Museum of Modern Art - Chrissie Iles

Abramovic, Marina, 1997. Ulay/Abramovic, Performances 1976-1988. Eindhoven: Stedelijk Van Abbemuseum

Abramovic, Marina, 1998. Artist Body. Milano: Charta. ISBN 88 8158 180 9

Abramovic, Marina, 1998. Inbetween. Exh. Cat. Japan: Korinsha Press

Acconci, Vito, 1978. Vito Acconci. Luzern: Kunstmuseum Luzern

Acconci, Vito, 1979. Vito Acconci Talks to Louwrien Wijers. Velp: Kantoor Voor Cultuur Extracten

Adriani, Götz Konnertz, Winfried and Thomas, Karin, 1979. Joseph Beuys: Life and Works. Woodbury, NY: Barron's Educational Series, Inc

Allain, Paul, 1998. Gardzienice: Polish Theatre in Transition. London: Harwood Academic Press. ISBN 90-5702-105-6 (hbk), 90-5702-106-4 (pbk)

Anderson, Laurie, 1984. United States. New York: Harper and Row

Andreoli-deVilliers, Jean Pierre, comp., 1975. Futurism and the Arts: A Bibliography 1959-73. Buffalo: University of Toronto Press

Apollonio, Umbro, ed., 1973. Futurist Manifestos. Trans. from the Italian by Robert Brain et al. London: Thames and Hudson and New York: The Viking Press. ISBN 0500181381, 0500201323

Apple, Jacki, 1990. Doing it right in LA: Self producing for the performing artist. Los Angeles: Astro Artz/Fringe

Armstrong, Liz, 1993. A Publication Called Fluxus. Minnesota: Walker Art Center

Artaud, Antonin, 1958. The Theatre and Its Double. Trans. Mary Caroline Richards. New York: Grove Press

Artaud, Antonin: À propos de la littérature et des arts plastiques, À propos du cinéma, À propos d'une pièce perdue, Artaud le Mômo, Articles à propos du Théâtre de la N.R.F. et des Cenci, Au pays des Tarahumaras, Autour du Théâtre et son double, Ci-gît - précédé de la Culture Indienne, Comptes rendus, Correspondance avec Jacques Rivière, Deux projets de mise en scène, Dossier des Cenci, Héliogabale, L'Art et la Mort, Le Moine de Lewis raconté par Antonin Artaud, Le Pèse-Nerfs, Le Théâtre de Séraphin, Le Théâtre et son double, Lettres de Rodez, L'Ombilic des Limbes, Notes sur les tricheurs de Steve Passeur, Pour en finir avec le jugement de Dieu, Théâtre Alfred Jarry, Un argument pour la scène, Une pantomime, Van Gogh ou le suicidé de la société.

Aue, Walker, 1971. P.C.A.: Projecte, Concepte und Actionen. Cologne: DuMont

Auslander, Philip, 1992. Presence and Resistance: Postmodernism and Cultural Politics in Contemporary American Performance. Ann Arbor: University of Michigan Press

Auslander, Philip, 1997. From Acting to Performance: Essays in Modernism and Postmodernism. London: Routledge. ISBN 0415157862, 0415157870

Ayres, Anne, 1988. Chris Burden: A Twenty Year Retrospective Survey. Newport Beach, California: Newport Harbor Art Museum

Ay-O, 1966. Manifestos. New York: Something Else Press

 

*B

Ballerini, Julia, 1983. Introduction to Carolee Schneemann: Recent Work. New York: Max Hutchinson Gallery/Documentext

Banes, Sally, 1983. Democracy's Body: Judson Dance Theater, 1962-1964. Ann Arbor: University of Michigan Press

Banes, Sally, 1987. Terpsichore in Sneakers: Post-Modern Dance. Middletown, Conn.: Wesleylan University Press. ISBN 0819561606 (pbk)

Banes, Sally, 1993. Greenwich Village 1963: avant-garde performance and the effervescent body: Durham, NC and London: Duke University Press. ISBN 082231357x (hbk), 082231391x (pbk)

Banes, Sally, 1994. Writing Dancing in the Age of Postmodernism. Hanover, New Hampshire and London: Wesleyan University Press. ISBN 0819562688

Banes, Sally, 1998. Subversive Expectations: Performance Art and Paratheater in New York, 1976-1985. Ann Arbor: University of Michigan Press. ISBN 0-472-09678-8 (hbk), 0-472-06678-1 (pbk)

Barba, Eugenio and Savarese, Nicola, eds., 1991. The Secret Art of the Performer. Trans. Richard Fowler. London: Routledge

Barber, Stephen, 2000. Antonin Artaud: The Screaming Body. Creation Books. ISBN 1840680091

Battcock, Gregory and Nickas, Robert, eds., 1984. The Art of Performance: A Critical Anthology. New York: E.P. Dutton

Battcock, Gregory, ed., 1995. Minimal Art: A Critical Anthology. Introduction by Anne M. Wagner. Berkeley and London: University of California Press. ISBN 0520201477

Bauman, Richard, 1977. Verbal Art as Performance. Rowley, Mass.: Newbury House

Bauman, Richard,1986. Story, Performance, and Event: Contextual Studies in Oral Narrative. Cambridge and New York: Cambridge University Press. ISBN 0521322235 (hbk), 052131111x (pbk)

Becker, Jürgen and Vostell, Wolf, eds., 1965. Happenings, Fluxus, Pop Art, Nouveau Réalisme: Eine Dokumentation. Reinbek bei Hamburg: Rowohlt

Bellmer, Hans, 1976. Hans Bellmer- Die Puppe / Die Spiele der Puppe / Die Anatomie des Bildes. Berlin: Gerhadt

Bellmer, Hans, 1980. Le Trésor Cruel de Hans Bellmer, présenté par André Pieyre de Mandiargues. Paris: Le Sphinx - Veyrier. ISBN 2.851 992 08.2

Benamou, Michel and Caramello, Charles, eds., 1977. Performance in Postmodern Culture. Milwaukee, Wisc.: Center for Twentieth Century Studies

Benedikt, Micheal and Wellwarth, George E. eds., 1966. Modern French Theater: The Avant-Garde, Dada, and Surrealism: An Anthology of Plays. New York: E.P. Dutton

Bethanien, K., ed., 1983. Performance: Another Dimension. Berlin: Frolich and Kaufmann Gmbh

Beuys, Joseph, 1976. Coyote. Text und Potographie von Caroline Tisdall. München: Schirmer / Mosel

Beuys, Joseph, 1987. Paris: Artstudio #4

Beuys, Joseph, 1994. Paris: Centre Georges Pompidou

Bharucha, Rustom, 1993. Theatre and the World: Performance and the Politics of Culture. London: Routledge

Biner, Pierre, 1964. Le Living Theatre. Lausanne: La Cité

Blau, Herbert, 1992. To All Appearances: Ideology and Performance. London: Routledge

Brecht, George and Filliou, Robert, 1967. Games at the Cedilla, or The Cedilla Takes Off. New York: Something Else Press

Brecht, Stefan, 1986. Queer Theatre. London: Methuen

Brecht, Stefan, 1988. Peter Schumann's Bread and Puppet Theatre. London: Methuen

Brecht, Stefan, 1994. The Theatre of Visions: Robert Wilson. London: Methuen. ISBN 0413495906

Brus, Günther, 1971. Irrwisch. Republished: 2000. Klagenfurt and Wien: Ritter Verlag. ISBN 3-85415-267-1

Brus, Günther, 1976. Günther Brus. Exh. Cat. Bern: Kunsthalle

Brus, Günther, 1980. Bild-Dichtungen. Exh. Cat. London: Whitechapel Art Gallery

Breton, André, 1969. Manifestoes of Surrealism. Michigan: The University of Michigan

Bronson, A.A. and Gale, Peggy, eds., 1979. Performance by Artists. Toronto: Art Metropole

Butler, Judith, 1990. Gender Trouble: feminism and the subversion of identity. London and New York: Routledge. ISBN 0415900425 (hbk), 0415900433 (pbk)

Butler, Judith and Scott, Joan W., 1992. Feminists Theorize the Political. London and New York: Routledge. ISBN 0415902746 (hbk), 0415902738 (pbk)

Butler, Judith, 1993. Bodies That Matter: on the discursive limits of "sex". London and New York: Routledge. ISBN 0415903653 (hbk), 0415903661 (pbk)

 

*C

Cage, John, 1967. A Year from Monday: new lectures and writings. Middletown, Connecticut: Wesleyan University Press

Cage, John, 1968. Silence: Lectures and Writings. London: Marion Boyars

Cage, John and Knowles, Alison, 1969. Notations, John Cage. New York: Something Else Press

Cage, John, 1972. Biology and History of the Future. Edinburgh: Edinburgh University Press

Cage, John, 1973. M: Writings '67-'72. Middletown, Connecticut: Wesleyan University Press

Cage, John, 1979. Empty Words. Middletown, Connecticut: Wesleyan University Press

Cage, John, 1981. For the Birds. London: Marion Boyars

Cage, John, 1986. X. Middletown, Connecticut: Wesleyan University Press

Cage, John, and Long, Lois, 1988. Mud Book: how to make pies and cakes. New York: Harry N. Abrams. ISBN 0810915332

Cage, John, comp. Richard Kostelanetz, 1989. Conversing with Cage. London: Omnibus

Cage, John, 1990a. I-VI. Cambridge, Mass.: Harvard University Press. ISBN 0674440072

Cage, John, 1990b. Dancers on a Plane: John Cage, Merce Cunningham, Jasper Johns. Liverpool: Tate Gallery

Cage, John, 1993a. Composition in Retrospect. Cambridge, Mass.: Exact Change

Cage, John, selected and introduced by Richard Kostelanetz, 1993b. John Cage, writer: previously uncollected pieces. New York: Limelight Editions. ISBN 0879101644 (hbk), 0879101636 (pbk)

Cameron, Shirley and Silver, Evelyn, 1991. 10 Years of Performance Art 1981-1991. Sheffield

Campbell, Patrick, ed., 1996. Analysing Performance. Manchester: Manchester University Press

Carlson, Marvin, 1996. Performance: a critical introduction. London and New York: Routledge. ISBN 0-415-13702-0 (hbk), 0-415-13703-9 (pbk)

Carr, Cynthia, 1993. On Edge: Performance at the End of the Twentieth Century. Hanover, New Hampshire: University Press of New England

Carrieri, Raffaele, 1963. Futurism. Milan: Edizioni del Milione

Case, Sue-Ellen, 1988. Feminism and Theatre. New York: Methuen

Case, Sue-Ellen, ed., 1990. Performing Feminisms: Feminist Critical Theory and Theatre. Baltimore, Md.: John Hopkins University Press

Case, Sue-Ellen and Reinelt, Janell, 1991. The Performance of Power. Iowa City: University of Iowa Press

Celant, Germano, ed., 1969. Art Povera: conceptual, actual or impossible art? London: Studio Vista

Celant, Germano, 1986. The Course of the Knife: Claes Oldenburg, Coosje van Bruggen, Frank O. Gehry. New York: Rizzoli. ISBN 084780822X

Champagne, Lenora, 1984. French Theatre Experiment Since 1968. Epping: Bowker

Champagne, Lenora, ed., 1990. Out from Under: Texts by Women Performance Artists. New York: Theatre Communications Group. ISBN 1559360097

Clark, Lygia, 1997. Lygia Clark. Exh. Cat. Barcelona: Fundacio Antoni Tapiès

Clough, Rosa Trillo, 1969. Futurism - the Story of a Modern Art Movement: A New Appraisal. Westport, Conn.: Greenwood Press. ISBN 0837121663

Crimp, D., ed., 1983. Joan Jonas: Scripts and Descriptions. Berkeley: University of California

Cunningham, Merce, 1969. Changes: Notes on Choreography. New York

Cunningham, Merce, 1991. The Dancer and the Dance. Merce Cunningham in conversation with Jacqueline Lesschaeve. Revised and updated edition. London: Boyars

 

*D

Dachy, Marc, 1989. Journal du Mouvement DADA 1915-1923. Genève: Skira. ISBN 2-605-001-43-1

Diamond, Elin, ed., 1995. Writing Performances. London: Routledge

Diamond, Elin, ed., 1996. Performance and Cultural Politics. London: Routledge

Diller, Liz + Scofidio, Ricardo, 1994. Back to the Front: Tourism of War. Caen: Frac Basse-Normandie. ISBN 0-907730-23-X

Diller, Liz + Scofidio, Ricardo, 1994. Flesh. New York: Princeton Architectural Press. ISBN 1-878271-37-7

Dreyfus, Charles, 1989. Happenings and Fluxus. Paris: Galerie 1900-2000

Dubin, Steven C., 1992. Arresting Images: Impolitic Art and Uncivil Actions. London and New York: Routledge

Dunn, Robert, 1962. John Cage: a list of his compositions and a bibliography of works relating to him, with notes by him and with a portrait. New York: Henmar Press

Dupuy, Jean, 1980. Collective Consciousness: Art Performances in the Seventies. New York: Performing Arts Journal Publications

Duchamp, Marcel, 1989. The Writing of Marcel Duchamp. Michel Sanouillet and Elmer Peterson eds. New York: Da Capo

 

*F

Foley, Suzanne, 1981. Space, Time, Sound: Conceptual Art in the San Francisco Bay Area in the 1970s. San Francisco, CA.: San Francisco Museum of Modern Art

Forti, Simone, 1974. Handbook on Motion. Halifax and New York: Press of Nova Scotia College of Art and Design

Foster, Stephen C., ed., Dada / dimensions. Ann Arbor, MI.: University of Michigan Research Press and Epping: Bowker. Studies in the fine arts The avant-garde no. 48

Foster, Stephen C., ed., 1988. "Event" arts and art events. Ann Arbor, MI.: University of Michigan Research Press and London

Foster, Stephen C., ed., 1996. Crisis and the Arts: the history of Dada. Vol. 1 Dada: the coordinates of cultural politics. ISBN 0816173540. Vol 2. Dada Zurich: a clown's game for nothing. Ed. Brigitte Pichon and Karl Riha. New York: G.K. Hall and London: Prentice Hall International. ISBN 0816173281

 

*G

Goldberg, RoseLee, 1988. Performance Art: From Futurism to the Present. Revised and enlarged edition. London: Thames and Hudson. ISBN 0-500-20214-1. First published 1979 as Performance: Live Art 1909 to the Present. London: Thames and Hudson

Goldberg, RoseLee, 1998. Performance. Live art since the 1960s, forward by Laurie Anderson, London, Thames and Hudson

Golding, Sue, 1997. The Eight Technologies of Otherness. London and New York: Routledge. ISBN 0-415-14579-1

Gordon, Mel, ed., 1987. Dada Performance. New York: PAJ

Green, Shelley, 1994. Radical Juxtaposition: The Films of Yvonne Rainer. Metuchen, N.J. and London: Scarecrow Press. ISBN 0810828634

 

*H

Hansen, Al, 1965. [1968 - Goldberg] A Primer of Happenings and Time/Space Art. New York: Something Else Press

Hapgood, Susan, 1994. Neo Dada: Redefining Art 1958-62. American Federation of the Arts in Association with Universe Publishing

Hart, Lynda and Phelan, Peggy, eds., 1993. Acting Out: Feminist Performances. Ann Arbor: University of Michigan Press. ISBN 0472094793 (hbk), 0472064797 (pbk)

Haskell, Barbara and Hanhardt, John G., 1991. Yoko Ono: Arias and Objects. Salt Lake City, Utah: Peregrine Smith Books

Haskell, Barbara, 1984. Blam! The Explosion of Pop, Minimalism and Performance, 1958-1964. New York and London: Whitney Museum of Modern Art in association with W.W. Norton. ISBN 0874270006

Heiss, Alanna, 1990. Dennis Oppenheim: Selected Works 1967-90. New York: Institute for Contemporary Art with Harry N. Abrams Inc.

Hendricks, Jon, ed., 1989. Yoko Ono: The Bronze Age. Cranbrook Academy of Art Museum

Henri, Adrian, 1974. Environments and Happenings. London: Thames and Hudson. ISBN 0-500-18143-8 (hbk), 0-500-20137-4 (pbk)

Hewison, Robert, 1986. Too Much: Art and Society in the Sixties.London: Methuen Paperback

Howell, John, 1992. Laurie Anderson. New York: Thunder's Mouth Press

Huxley, Michael and Witts, Noel, eds., 1996. The Twentieth Century Performance Reader. London and New York: Routledge. ISBN 0415116279 (hbk), 0415116287 (pbk)

 

*J

Johnson, Ellen Hulda, 1971. Claes Oldenburg. Harmondsworth: Penguin

Jones, Amelia, 1998. Body Art. Performing the Subject. Minneapolis, University of Minnesota Press

Jones, Amelia, 2000. The Artist's Body. Tracey Warr, ed. London, Phaidon. ISBN 0-7148-3502-1

Juno, Andrea and Vale, V., eds., 1991. Angry Women. San Francisco, CA: RE/Search Publications. ISBN 0940642247

 

*K

Kaprow, Allan, 1966. Some Recent Happenings. New York: Something Else Press

Kaprow, Allan, 1966. Assemblage, Environments and Happenings. New York: Harry N. Abrams

Kaprow, Allan, 1967. Untitled Essay and Other Works. New York: Something Else Press

Kaprow, Allan. Kelley, Jeff, ed., 1993. Essays on the Blurring of Art and Life: Allan Kaprow. Berkeley and London: University of California Press. ISBN 0520205626

Kaye, Nick, 1994. New Directions in Theatre - Postmodernism and Performance. London: MacMillan Press

Kaye, Nick, 1996. Art into Theatre: Performance Interviews and Documents. London: Harwood Academic Publishers

Kirby, E.T., 1969. Total Theatre: A Critical Anthology. New York: E.P. Dutton

Kirby, Michael Stanley, ed., 1965. Happenings: An Illustrated Anthology. New York: E.P. Dutton. London, Sedgwick and Jackson, 1988

Kirby, Michael Stanley, ed., 1986/1987. Futurist Performance. Manifestos and playscripts translated from the Italian by Victoria Nes Kirby. New York: PAJ Publications

Kirshner, Judith Russ, 1980. Vito Acconci: A Retrospective 1969 to 1980. Chicago: The Museum of Contemporary Art

Klein, Yves: 1928-62, 1974. Selected Writings. London: Tate Gallery

Klein, Yves: 1928-62, 1982. A Retrospective. Houston: Institute for the Arts, Rice University, in association with New York: The Arts Publisher

Klein, Yves: 1928-62, 1983. Paris: Centre Georges Pompidou. ISBN 2-85850-189-0

Kostelanetz, Richard, 1968. The Theatre of Mixed Means. An Introduction to Happenings, Kinetic Environments and Other Mixed-Means Performances. New York: Dial Press

Kostelanetz, Richard, ed., 1970. Imagined Words and Worded Images. New York: Outerbridge and Dienstfrey

Kostelanetz, Richard, ed., 1980. Scenarios: Scripts to Perform. New York: Assembling Press

Kostelanetz, Richard, 1988. Conversing with Cage. New York: Limelight Editions. ISBN 0879101008

Kostelanetz, Richard, 1992. On Innovative Art(ist)s: Recollections of an Expanding Field. Jefferson, N.C. and London: McFarland and Co. ISBN 0899506410

Kostelanetz, Richard, ed., 1993a. Writings about John Cage. Ann Arbor: University of Michigan Press. ISBN 0472103482

Kostelanetz, Richard, 1993. John Cage, writer: previously uncollected pieces. New York: Limelight Editions. ISBN 0879101644 (hbk), 0879101636 (pbk)

Kostelanetz, Richard, 1994. On Innovative Performance(s): Three Decades of Recollections on Alternative Theater. Jefferson, N.C. and London: McFarland. ISBN 0899504736

Kostelanetz, Richard, 1996. John Cage (ex)plain(ed). New York: Schirmer Books and London: Prentice Hall International. ISBN 002864526x

Kultermann, Udo, 1971. Art-events and Happenings. Trans. John William Gabriel London: Mathews Miller Dunbar

 

*L

Lamarche-Vadel, Bernard, 1985. Joseph Beuys: is it about a bicycle ? Paris: Marval

Labelle-Rojoux, Arnaud, 1988. L'acte pour l'art. Paris: Editeurs Evidant

Lebel, Jean-Jacques, [OPAC 1966] 1967. Le Happening. Paris: Donoel et Les Lettres Nouvelles

Lebel, Jean-Jacques, 1969. Entretiens avec le living theatre. Paris: Editions Pierre Belfond

Linker, Kate, 1994. Vito Acconci. New York: Rizzoli. ISBN 0847816451

Lippard, Lucy, 1973. Six Years. The Dematerialization of the Art Object from 1966-1972. New York

Lista, Giovanni, 1973. Futurisme: Manifestes, Proclamations, Documents. Lausanne: L'Age d'Homme

Lista, Giovanni, 1976. Theatre futuriste italien. Lausanne

Lista, Giovanni, 1976. Marinetti. Paris: Seghers

Lista, Giovanni, 1977. Marinetti et le futurisme: études documents, iconographie. Lausanne: L'Age d'Homme

Lista, Giovanni, 1984. Le livre futuriste: de la libération du mot au poème tactile. Modena: Panini

Lista, Giovanni, 1989. La scène futuriste. Paris: CNRS

Lista, Giovanni, 1991. Les avant-gardes: Giovanni Lista, Serge Lemoine, Andrei Nakov. Paris: Hazan

Lyotard, Jean-Francois, 1979. La condition postmoderne: rapport sur le savoir. Paris: Les Editions de Minuit

Lyotard, Jean-Francois, 1990. Duchamp's TRANS/formers. Venice, CA.: Lapis Press

Lyotard, Jean-Francois, 1991a. Phenomenology. Trans. Brian Beakley. Albany: State University of New York Press. ISBN 0791408051 (hbk), 079140806x (pbk)

Lyotard, Jean-Francois, 1991b. The Inhuman: Reflections on Time. Trans. Geoffrey Bennington and Rachel Bowlby. Cambridge: Polity Press. ISBN 0745612385 (hbk), 0745607721 (cased)

Lyotard, Jean-Francois. Ed. Harvey, Robert and Roberts, Mark S., 1993. Towards the Postmodern: Jean-Francois Lyotard. Atlantic Highlands, N.J. and London: Humanities Press International

 

*M

MacAloon, John J., ed., 1984. Rite, Drama, Festival, Spectacle: Rehearsals Toward a Theory of Cultural Performance. Philadelphia: Institute for the Study of Human Issues

Maciunas, George, ed., 1963. Fluxus I: An Anthology. New York: ReFlux Editions

MacQuiston, Liz, 1999. Suffragettes to She-Devils, Women's Liberation and Beyond. London, Phaidon

Marinetti, Filippo Tommaso, 1919. Le théâtre futuriste synthétique. Manifeste. Milan: Direction du Mouvement Futuriste

Marinetti, Filippo Tommaso, 1960. Teatro F.T. Marinetti. Ed. Giovanni Calendoli (3 vols). Rome

Marinetti, Filippo Tommaso, 1971. Selected Writings. Ed. R.W. Flint. New York

Marsh, Anne, 1993. Body and self: performance art in Australia 1969-1992. Melbourne: Oxford University Press, Australia. ISBN 0-19-553306-5

Martin, Marianne W., 1968. Futurist Art and Theory, 1909-1915. Oxford: Clarendon Press

Martin, Randy, 1990. Performance as Political Act: The Embodied Self. New York and London: Bergin and Garvey

Mason, Bim, 1992. Street Theatre and Other Outdoor Performance. London: Routledge

Mennekes, Friedhelm, 1992. Joseph Beuys: Manresa, eine Fluxus-Demonstration als geistliche Ubung zu Ignatius von Loyola. Frankfurt am Main: Insel

 

*N

Nachtigaller, Roland and von Velsen, Nicola, eds., 1992. 3 Vols. Documenta IX. Stuttgart: Edition[s] Cantz. ISBN 3893223819 (pbk set)

Nitsch, Hermann, 1969. Orgien, Mysterien, Theater. Orgies, Mysteries, Theatre. German and English. Darmstadt:

Nuttall, Jeff, 1968a. Bomb Culture. London: MacGibbon & Kee

Nuttall, Jeff, 1968b. Journals. Brighton: Unicorn Bookshop

Nuttall, Jeff, 1979. Performance Art: Memoirs (Volume 1). London: John Calder Press and Dallas, Texas: Riverrun Press. ISBN 0-7145-3711-X (hbk), 0-7145-3788-8 (pbk)

Nuttall, Jeff, 1979. Performance Art: Scripts (Volume 2). London: John Calder Press and Dallas, Texas: Riverrun Press. ISBN 0-7145-378-96

 

*O

Oldenburg, Claes Thure, and Williams, Emmett, selectors, 1967. Store Days. Documents from The Store, 1961, and Ray Gun Theater, 1962. New York: Somethng Else Press

Oldenburg, Claes, 1971. Notes in Hand. Switzerland: Petersburg Press

Oldenburg, Claes, 1973. Raw Notes. Halifax, Canada: Nova Scotia College of Art and Design

Oldenburg, Claes, 1991. Claes Oldenburg: Multiples in Retrospect, 1964-1990. New York: Rizzoli. ISBN 0847813355

Oldenburg, Claes, 1995a. Claes Oldenburg: An Anthology. New York: Guggenheim Museum. ISBN 0810968878 (hbk), 0892071397 (pbk)

Oldenburg, Claes, 1995b. Large-scale Projects: Claes Oldenburg, Coosje van Bruggen. London: Thames and Hudson. ISBN 0500236992

Oppenheim, Dennis, 1990. Dennis Oppenheim Retrospective 1970-1990. Athens: Perides Museum of Contemporary Art

Orlan, 1996. This is my body... this is my software. London: Black Dog

Orlan, 1997. De l'art Charnel au baiser de l'artiste. Paris: Stéphane Place et Jean-Michel Place, collection sujet-objet

Ono, Yoko, 1970. Grapefruit. London: Peter Owen

 

*P

Pane, Gina, 2000. Gina Pane. Le Mans: École supérieure des Beaux-Arts, ISBN 2-906743-09-7

Pane, Gina, 1985. Partitions, Opere multimedia 1984-85, curator: Lea Vergine. Mazzotta

Pluchart, François, 1975. L'art corporel. Paris: Limage 2

 

*R

Rainer, Yvonne, 1974. Work 1961-73. Halifax, Nova Scotia and New York: Nova Scotia College of Art and Design and New York University

Rainer, Yvonne, 1989. The Films of Yvonne Rainer. Bloomington: Indiana University Press. ISBN 0253349060 (hbk), 0253205425 (pbk)

Ratcliffe, Carter, 1986. Gilbert and George: The Complete Pictures 1971-1985. New York and London

Read, Alan, 1993. Theatre and Everyday Life: An Ethics of Performance. London: Routledge

Readings, Bill, 1991. Introducing Lyotard: Art and Politics. London: Routledge

Reinelt, Janelle G. and Roach, Joseph R., eds., 1992. Critical Theory and Performance. Ann Arbor: University of Michigan Press. ISBN 0472094580

Rich, B. Ruby, 1981. Yvonne Rainer. Routledge. ISBN 0-415-09936-6

Roth, Moira, ed., 1983 [1982 - Goldberg]. The Amazing Decade: Women and Performance Art in America, 1970-1980. Los Angeles: Astro Artz

 

*S

Saint-Point, Valentine de, 1996. Manifeste de la femme futuriste - Manifeste futuriste de la luxure - Le théâtre de la femme - La Métachorie. Présentation de Giovanni Lista. Paris: Séguier. ISBN 2-84049-074-9

Saint-Point, Valentine de, Interview with Saint-Point, 1917, Djuna Barnes: Interviews, 1985. College Park, Sun & Moon

Sandford, Mariellen R., ed., 1995. Happenings and Other Acts. London: Routledge. ISBN 0-415-09936-6

Sayre, Henry M., 1989. The Object of Performance: The American Avant-Garde Since 1970. Chicago: University of Chicago Press

Schechner, Richard, 1965. Rites and Symbols of Initiation. New York: Harper

Schechner, Richard, 1969. Public Domain: Essays on the Theatre. Indianapolis, Ill. and New York: Bobbs-Merrill Co

Schechner, Richard, ed., 1970. The Performance Group: Dionysus in 69. New York: Farr, Strauss and Giroux

Schechner, Richard, 1994. Environmental Theatre. Expanded new edition. New York and London: Applause. ISBN 1557831785

Schechner, Richard, 1977. Essays on Performance Theory, 1970-76. New York: Drama Book Specialists

Schechner, Richard, 1982. The End of Humanism: Writings on Performance. New York: Performing Arts Journal Publications. ISBN 0933826192, 0933826184

Schechner, Richard, 1983. Performative Circumstances: From the Avant-garde to Ramlila. Calcutta: Seagull

Schechner, Richard, 1985. Between Theatre and Anthropology. Philadelphia: University of Pennsylvania Press. ISBN 0812279298

Schechner, Richard, 1988. Performance Theory. 2nd (revised and expanded) edition. London and New York: Routledge. ISBN 0415900921 (hbk), 041590093X (pbk)

Schechner, Richard, and Appel, Willa, eds., 1990. By Means of Performance: Intercultural Studies of Theatre and Ritual. Cambridge: Cambridge University Press. ISBN 0521339154 (pbk)

Schechner, Richard, 1993. The Future of Ritual: Writings on Culture and Performance. London and New York: Routledge. ISBN 0415046890

Schneemann, Carolee, 1979. More Than Meat Joy: Complete Performance Works and Selected Writings. New York: McPherson

Schneemann, Carolee, 1997. Carolee Schneemann: Up To And Including Her Limits. Dan Cameron with Kristine Stiles, Marcia Tucker. New Museum of Contemporary Art

Shattuck, Roger, 1968. The Banquet Years: The Origins of the Avant-Garde in France, 1885 to World War 1: Alfred Jarry, Henri Rousseau, Erik Satie, Guillaume Apollinaire. Revised edition. New York: Vintage Books. First edition 1959 London: Faber and Faber

Shyer, Laurence, 1989. Robert Wilson and his Collaborators. New York: Theatre Communications Group

Sohm, Hans, ed., 1970. Happening and Fluxus. Exhibition catalogue. Cologne: Kunstverein

Sprinkle, Annie, 1991. Post-Porn Modernist My 25 Years as a Multimedia Whore.

Revised and updated edition, San Francisco: Cleis Press, 1998. First printing, Torch Gallery, 1991. Second printing, Art Unlimited, 1993

Stern, Carol Simpson and Henderson, Bruce, 1993. Performance: Texts and Contexts. White Plains, N.Y.: Longmans

Sundell, Nina, 1984. Rauschenberg/Performance 1954-1984. Cleveland: Cleveland Center for Contemporary Art

 

*T

Taylor, Joshua C., 1961. Futurism. New York: Museum of Modern Art

Thistlewood, David, ed., 1995. Joseph Beuys: Diverging Critiques. Liverpool: Tate Gallery and Liverpool University Press. ISBN 0853233497

Tisdall, Caroline, and Bozzolla, Angelo, 1977. Futurism. London: Thames and Hudson

Tisdall, Caroline, 1979. Joseph Beuys. London: Thames and Hudson

Tomkins, Calvin, 1996. Duchamp: A Biography. New York: H. Holt. ISBN 0805008233

Tufnell, Miranda and Crickmay, Chris, eds., 1990. Body, Space, Image: Notes Towards Improvisation and Performance. London: Virago. ISBN 1-853811-31-9

 

*U

Ugwu, Catherine, ed., 1995. Lets Get It On - The Politics of Black Performance. London: Institute of Contemporary Arts and Seattle: Bay Press. ISBN 0905263642, 094192033X (U.S.)

 

*V

Vanden Heuvel, Michael, 1991. Performing Drama/Dramatizing Performance: Alternative Theater and the Dramatic Text. Ann Arbor: University of Michigan Press. ISBN 0472102400

Vautier, Ben, 1975. Me Ben I Sign. Trans. from the French by David Mayor. Cranleigh: Beau Geste Press

Vautier, Ben, 1995. Ben, Pour ou Contre - Une Rétrospective. Marseille: Galeries Contemporaines des Musées

Vergine, Lea, 1976. Dall'informale alla body art: Dieci voci dell'arte contemporeana: 1960/1970. Turin: Cooperativa Editoriale Studio Forma

 

*W

Wilke, Hannah, 1989. Hannah Wilke: A Retnospective. Exh. cat. Columbia: University of Missouri Press



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