|
*Bibliographie I
*Expositions / Colloques / Publications collectives
Art au Corps (L'),
1996. Le corps exposé de Man Ray à nos jours. Curator:
Philippe Vergne. Marseille: MAC - Musées de Marseille.
ISBN 2-7118-3210-4
Body as a membrane,
1996. Catalog, Odense: Kunsthallen Brandt Klaedefabrik
Biennale de Lyon 1995/1996, Lyon: La réunion des musées Nationaux
- AFAA
Féminimasculin, Le sexe de l'art, 1995. Paris: Centre Georges Pompidou. ISBN 2
85850 827 5
Fétiches et Fétichismes, 1998. Curator: Jean-Michel Ribettes. Paris: Passage
de Retz & éd. Blanche. ISBN 291162149-2
Film Foto Wiener Aktionismus - Kurt
Kren, 1998. Catalog. Texts
of Robert Fleck, Hubert Klocker & Peter Gorsen. Wien: Einl.
von Julius Hummel
Fotografie im Wiener Aktionismus (Zur), 1998. Catalog. Wolkersdorf: Hanno Millesi
Futurismo 1909-1919, 1972-3. Exhibition catalogue. London:
Royal Academy of Arts
Gutai,
1999. Paris: Galerie National du Jeu de Paume
Hors Limites, L'Art et la Vie, 1952-1994, 1994. Paris: Centre Georges Pompidou
Immanences Spatiales, 2000. Curator: Adrien Sina. Paris: La Mazarine
13
Japon des Avant-Gardes 1910-1970, 1986. Paris: Centre Georges Pompidou
Judson Dance Theater: 1962-1966, 1981. New York: The Bennington College Judson
Project
Out of Actions,
1998. Between Performance and the Object, 1949-1979. Curated
by Paul Schimmel. Los Angeles: The Museum of Contemporary Art
- Thames and Hudson
Performance: Text(e)s & Documents, Multidisciplinary Aspects of Performance: Postmodernism,
1980. Chantal Pontbriand. Montréal: Parachute
Projections, les transports de l'image 1997. Paris: Hazan/Le Fresnoy/AFAA. ISBN 285025570X
Rrose is a Rrose is a Rrose, 1997. Gender performance in photography,
New York, Solomon R. Guggenheim Museum
Tragédies Charnelles / Fugitive
Fluctuations, 2000. Curator: Adrien
Sina. Paris: La Mazarine 12
Vision Machine,
2000. Musée des Beaux-Arts de Nantes: Somogy. ISBN 2-85056-390-0
Visionnary Architecture in Austria in th Sixties and Seventies, 1996.
Curator: Günther Feuerstein. Venice Biennale
Wiener Aktionismus (Der), 1999. Positionen und Prinzipien. Kerstin Braun.
Wien/Köln
Writings of the Vienna Actionists Brus,
Muehl, Nitsch, Schwartzkogler,
1999. Directed by Malcolm Green.
London: Atlas Arkhive Seven, Documents on Avant-garde. ISBN 1
900565 10 2
10 Ans de Poésie Directe, 1995. Marseille: Musées de Marseille
90s: A Family of Man? Images de l'Homme
dans l'art contemporain (The),
1997. Commisaires: Paul di Felice, Pierre Stiwer. Luxembourg:
Casino Luxembourg-Forum d'art Contemporain et Café Crème
*Bibliographie II
*Monographies
*A
Abramovic, Marina,
1980. Relation Work and Detour. Amsterdam: Marina
Abramovic and Ulay
Abramovic, Marina,
1983. Nightsea Crossing. Amsterdam: Museum Fodor
Abramovic, Marina,
1986. Modus Vivendi. Eindhoven: Stedelijk Van Abbemuseum
Abramovic, Marina,
1994, in collaboration with Charles Atlas. Marina Abramovic.
Ostfildern: Cantz
Abramovic, Marina,
1995. Cleaning the House. London: Academy Editions. ISBN
1854903993
Abramovic, Marina,
1995. Objects, Performances, Video, Sound. Exh. Cat. Oxford:
Museum of Modern Art - Chrissie Iles
Abramovic, Marina,
1997. Ulay/Abramovic, Performances 1976-1988. Eindhoven:
Stedelijk Van Abbemuseum
Abramovic, Marina,
1998. Artist Body. Milano: Charta. ISBN 88 8158 180 9
Abramovic, Marina,
1998. Inbetween. Exh. Cat. Japan: Korinsha Press
Acconci, Vito,
1978. Vito Acconci. Luzern: Kunstmuseum Luzern
Acconci, Vito,
1979. Vito Acconci Talks to Louwrien Wijers. Velp: Kantoor
Voor Cultuur Extracten
Adriani, Götz Konnertz, Winfried
and Thomas, Karin, 1979. Joseph
Beuys: Life and Works. Woodbury, NY: Barron's Educational
Series, Inc
Allain, Paul,
1998. Gardzienice: Polish Theatre in Transition. London:
Harwood Academic Press. ISBN 90-5702-105-6 (hbk), 90-5702-106-4
(pbk)
Anderson, Laurie,
1984. United States. New York: Harper and Row
Andreoli-deVilliers, Jean Pierre, comp., 1975. Futurism and the Arts: A Bibliography
1959-73. Buffalo: University of Toronto Press
Apollonio, Umbro,
ed., 1973. Futurist Manifestos. Trans. from the Italian
by Robert Brain et al. London: Thames and Hudson and New York:
The Viking Press. ISBN 0500181381, 0500201323
Apple, Jacki,
1990. Doing it right in LA: Self producing for the performing
artist. Los Angeles: Astro Artz/Fringe
Armstrong, Liz,
1993. A Publication Called Fluxus. Minnesota: Walker Art
Center
Artaud, Antonin,
1958. The Theatre and Its Double. Trans. Mary Caroline
Richards. New York: Grove Press
Artaud, Antonin:
À propos de la littérature et des arts plastiques,
À propos du cinéma, À propos d'une pièce
perdue, Artaud le Mômo, Articles à propos du Théâtre
de la N.R.F. et des Cenci, Au pays des Tarahumaras, Autour du
Théâtre et son double, Ci-gît - précédé
de la Culture Indienne, Comptes rendus, Correspondance avec Jacques
Rivière, Deux projets de mise en scène, Dossier
des Cenci, Héliogabale, L'Art et la Mort, Le Moine de
Lewis raconté par Antonin Artaud, Le Pèse-Nerfs,
Le Théâtre de Séraphin, Le Théâtre
et son double, Lettres de Rodez, L'Ombilic des Limbes, Notes
sur les tricheurs de Steve Passeur, Pour en finir avec le jugement
de Dieu, Théâtre Alfred Jarry, Un argument pour
la scène, Une pantomime, Van Gogh ou le suicidé
de la société.
Aue, Walker,
1971. P.C.A.: Projecte, Concepte und Actionen. Cologne:
DuMont
Auslander, Philip,
1992. Presence and Resistance: Postmodernism and Cultural
Politics in Contemporary American Performance. Ann Arbor:
University of Michigan Press
Auslander, Philip,
1997. From Acting to Performance: Essays in Modernism and
Postmodernism. London: Routledge. ISBN 0415157862, 0415157870
Ayres, Anne,
1988. Chris Burden: A Twenty Year Retrospective Survey.
Newport Beach, California: Newport Harbor Art Museum
Ay-O,
1966. Manifestos. New York: Something Else Press
*B
Ballerini, Julia,
1983. Introduction to Carolee Schneemann: Recent Work.
New York: Max Hutchinson Gallery/Documentext
Banes, Sally, 1983.
Democracy's Body: Judson Dance Theater, 1962-1964. Ann
Arbor: University of Michigan Press
Banes, Sally,
1987. Terpsichore in Sneakers: Post-Modern Dance. Middletown,
Conn.: Wesleylan University Press. ISBN 0819561606 (pbk)
Banes, Sally, 1993.
Greenwich Village 1963: avant-garde performance and the effervescent
body: Durham, NC and London: Duke University Press. ISBN
082231357x (hbk), 082231391x (pbk)
Banes, Sally,
1994. Writing Dancing in the Age of Postmodernism. Hanover,
New Hampshire and London: Wesleyan University Press. ISBN 0819562688
Banes, Sally,
1998. Subversive Expectations: Performance Art and Paratheater
in New York, 1976-1985. Ann Arbor: University of Michigan
Press. ISBN 0-472-09678-8 (hbk), 0-472-06678-1 (pbk)
Barba, Eugenio and Savarese, Nicola, eds., 1991. The Secret Art of the Performer.
Trans. Richard Fowler. London: Routledge
Barber, Stephen,
2000. Antonin Artaud: The Screaming Body. Creation
Books. ISBN 1840680091
Battcock, Gregory
and Nickas, Robert, eds., 1984. The Art of Performance:
A Critical Anthology. New York: E.P. Dutton
Battcock, Gregory,
ed., 1995. Minimal Art: A Critical Anthology. Introduction
by Anne M. Wagner. Berkeley and London: University of California
Press. ISBN 0520201477
Bauman, Richard,
1977. Verbal Art as Performance. Rowley, Mass.: Newbury
House
Bauman, Richard,1986.
Story, Performance, and Event: Contextual Studies in Oral
Narrative. Cambridge and New York: Cambridge University Press.
ISBN 0521322235 (hbk), 052131111x (pbk)
Becker, Jürgen and Vostell, Wolf, eds., 1965. Happenings, Fluxus, Pop Art, Nouveau
Réalisme: Eine Dokumentation. Reinbek bei Hamburg:
Rowohlt
Bellmer, Hans,
1976. Hans Bellmer- Die Puppe / Die Spiele der Puppe / Die
Anatomie des Bildes. Berlin: Gerhadt
Bellmer, Hans,
1980. Le Trésor Cruel de Hans Bellmer, présenté
par André Pieyre de Mandiargues. Paris: Le Sphinx - Veyrier.
ISBN 2.851 992 08.2
Benamou, Michel and Caramello, Charles, eds., 1977. Performance in Postmodern Culture.
Milwaukee, Wisc.: Center for Twentieth Century Studies
Benedikt, Micheal and Wellwarth, George
E. eds., 1966. Modern French
Theater: The Avant-Garde, Dada, and Surrealism: An Anthology
of Plays. New York: E.P. Dutton
Bethanien, K.,
ed., 1983. Performance: Another Dimension. Berlin: Frolich
and Kaufmann Gmbh
Beuys, Joseph,
1976. Coyote. Text und Potographie von Caroline Tisdall.
München: Schirmer / Mosel
Beuys, Joseph,
1987. Paris: Artstudio #4
Beuys, Joseph,
1994. Paris: Centre Georges Pompidou
Bharucha, Rustom,
1993. Theatre and the World: Performance and the Politics
of Culture. London: Routledge
Biner, Pierre,
1964. Le Living Theatre. Lausanne: La Cité
Blau, Herbert,
1992. To All Appearances: Ideology and Performance. London:
Routledge
Brecht, George and Filliou, Robert, 1967. Games at the Cedilla, or The Cedilla
Takes Off. New York: Something Else Press
Brecht, Stefan,
1986. Queer Theatre. London: Methuen
Brecht, Stefan,
1988. Peter Schumann's Bread and Puppet Theatre. London:
Methuen
Brecht, Stefan,
1994. The Theatre of Visions: Robert Wilson. London: Methuen.
ISBN 0413495906
Brus, Günther,
1971. Irrwisch. Republished: 2000. Klagenfurt and Wien:
Ritter Verlag. ISBN 3-85415-267-1
Brus, Günther,
1976. Günther Brus. Exh. Cat. Bern: Kunsthalle
Brus, Günther,
1980. Bild-Dichtungen. Exh. Cat. London: Whitechapel Art
Gallery
Breton, André, 1969. Manifestoes of Surrealism. Michigan:
The University of Michigan
Bronson, A.A. and Gale, Peggy, eds., 1979. Performance by Artists. Toronto:
Art Metropole
Butler, Judith,
1990. Gender Trouble: feminism and the subversion of identity.
London and New York: Routledge. ISBN 0415900425 (hbk), 0415900433
(pbk)
Butler, Judith and Scott, Joan W., 1992. Feminists Theorize the Political.
London and New York: Routledge. ISBN 0415902746 (hbk), 0415902738
(pbk)
Butler, Judith,
1993. Bodies That Matter: on the discursive limits of "sex".
London and New York: Routledge. ISBN 0415903653 (hbk), 0415903661
(pbk)
*C
Cage, John,
1967. A Year from Monday: new lectures and writings. Middletown,
Connecticut: Wesleyan University Press
Cage, John,
1968. Silence: Lectures and Writings. London: Marion Boyars
Cage, John and Knowles, Alison, 1969. Notations, John Cage. New York:
Something Else Press
Cage, John,
1972. Biology and History of the Future. Edinburgh: Edinburgh
University Press
Cage, John,
1973. M: Writings '67-'72. Middletown, Connecticut: Wesleyan
University Press
Cage, John,
1979. Empty Words. Middletown, Connecticut: Wesleyan University
Press
Cage, John,
1981. For the Birds. London: Marion Boyars
Cage, John,
1986. X. Middletown, Connecticut: Wesleyan University
Press
Cage, John, and Long, Lois, 1988. Mud Book: how to make pies and cakes.
New York: Harry N. Abrams. ISBN 0810915332
Cage, John,
comp. Richard Kostelanetz, 1989. Conversing with Cage.
London: Omnibus
Cage, John,
1990a. I-VI. Cambridge, Mass.: Harvard University Press.
ISBN 0674440072
Cage, John,
1990b. Dancers on a Plane: John Cage, Merce Cunningham, Jasper
Johns. Liverpool: Tate Gallery
Cage, John,
1993a. Composition in Retrospect. Cambridge, Mass.: Exact
Change
Cage, John,
selected and introduced by Richard Kostelanetz, 1993b. John
Cage, writer: previously uncollected pieces. New York: Limelight
Editions. ISBN 0879101644 (hbk), 0879101636 (pbk)
Cameron, Shirley and Silver, Evelyn, 1991. 10 Years of Performance Art 1981-1991.
Sheffield
Campbell, Patrick,
ed., 1996. Analysing Performance. Manchester: Manchester
University Press
Carlson, Marvin,
1996. Performance: a critical introduction. London and
New York: Routledge. ISBN 0-415-13702-0 (hbk), 0-415-13703-9
(pbk)
Carr, Cynthia,
1993. On Edge: Performance at the End of the Twentieth Century.
Hanover, New Hampshire: University Press of New England
Carrieri, Raffaele,
1963. Futurism. Milan: Edizioni del Milione
Case, Sue-Ellen,
1988. Feminism and Theatre. New York: Methuen
Case, Sue-Ellen,
ed., 1990. Performing Feminisms: Feminist Critical Theory
and Theatre. Baltimore, Md.: John Hopkins University Press
Case, Sue-Ellen and Reinelt, Janell, 1991. The Performance of Power. Iowa City:
University of Iowa Press
Celant, Germano,
ed., 1969. Art Povera: conceptual, actual or impossible art?
London: Studio Vista
Celant, Germano,
1986. The Course of the Knife: Claes Oldenburg, Coosje van
Bruggen, Frank O. Gehry. New York: Rizzoli. ISBN 084780822X
Champagne, Lenora,
1984. French Theatre Experiment Since 1968. Epping: Bowker
Champagne, Lenora,
ed., 1990. Out from Under: Texts by Women Performance Artists.
New York: Theatre Communications Group. ISBN 1559360097
Clark, Lygia,
1997. Lygia Clark. Exh. Cat. Barcelona: Fundacio Antoni
Tapiès
Clough, Rosa Trillo, 1969. Futurism - the Story of a Modern Art
Movement: A New Appraisal. Westport, Conn.: Greenwood Press.
ISBN 0837121663
Crimp, D.,
ed., 1983. Joan Jonas: Scripts and Descriptions. Berkeley:
University of California
Cunningham, Merce,
1969. Changes: Notes on Choreography. New York
Cunningham, Merce,
1991. The Dancer and the Dance. Merce Cunningham in conversation
with Jacqueline Lesschaeve. Revised and updated edition.
London: Boyars
*D
Dachy, Marc,
1989. Journal du Mouvement DADA 1915-1923. Genève: Skira.
ISBN 2-605-001-43-1
Diamond, Elin,
ed., 1995. Writing Performances. London: Routledge
Diamond, Elin,
ed., 1996. Performance and Cultural Politics. London:
Routledge
Diller, Liz + Scofidio, Ricardo, 1994. Back to the Front: Tourism of War.
Caen: Frac Basse-Normandie. ISBN 0-907730-23-X
Diller, Liz + Scofidio, Ricardo, 1994. Flesh. New York: Princeton Architectural
Press. ISBN 1-878271-37-7
Dreyfus, Charles,
1989. Happenings and Fluxus. Paris: Galerie 1900-2000
Dubin, Steven C.,
1992. Arresting Images: Impolitic Art and Uncivil Actions.
London and New York: Routledge
Dunn, Robert,
1962. John Cage: a list of his compositions and a bibliography
of works relating to him, with notes by him and with a portrait.
New York: Henmar Press
Dupuy, Jean,
1980. Collective Consciousness: Art Performances in the Seventies.
New York: Performing Arts Journal Publications
Duchamp, Marcel,
1989. The Writing of Marcel Duchamp. Michel Sanouillet
and Elmer Peterson eds. New York: Da Capo
*F
Foley, Suzanne,
1981. Space, Time, Sound: Conceptual Art in the San Francisco
Bay Area in the 1970s. San Francisco, CA.: San Francisco
Museum of Modern Art
Forti, Simone,
1974. Handbook on Motion. Halifax and New York: Press
of Nova Scotia College of Art and Design
Foster, Stephen C.,
ed., Dada / dimensions. Ann Arbor, MI.: University of
Michigan Research Press and Epping: Bowker. Studies in the fine
arts The avant-garde no. 48
Foster, Stephen C.,
ed., 1988. "Event" arts and art events. Ann
Arbor, MI.: University of Michigan Research Press and London
Foster, Stephen C.,
ed., 1996. Crisis and the Arts: the history of Dada. Vol.
1 Dada: the coordinates of cultural politics. ISBN 0816173540.
Vol 2. Dada Zurich: a clown's game for nothing. Ed. Brigitte
Pichon and Karl Riha. New York: G.K. Hall and London: Prentice
Hall International. ISBN 0816173281
*G
Goldberg, RoseLee,
1988. Performance Art: From Futurism to the Present. Revised
and enlarged edition. London: Thames and Hudson. ISBN 0-500-20214-1.
First published 1979 as Performance: Live Art 1909 to the
Present. London: Thames and Hudson
Goldberg, RoseLee,
1998. Performance. Live art since the 1960s, forward by
Laurie Anderson, London, Thames and Hudson
Golding, Sue,
1997. The Eight Technologies of Otherness. London and
New York: Routledge. ISBN 0-415-14579-1
Gordon, Mel,
ed., 1987. Dada Performance. New York: PAJ
Green, Shelley,
1994. Radical Juxtaposition: The Films of Yvonne Rainer.
Metuchen, N.J. and London: Scarecrow Press. ISBN 0810828634
*H
Hansen, Al,
1965. [1968 - Goldberg] A Primer of Happenings and Time/Space
Art. New York: Something Else Press
Hapgood, Susan,
1994. Neo Dada: Redefining Art 1958-62. American Federation
of the Arts in Association with Universe Publishing
Hart, Lynda and Phelan, Peggy, eds., 1993. Acting Out: Feminist Performances.
Ann Arbor: University of Michigan Press. ISBN 0472094793 (hbk),
0472064797 (pbk)
Haskell, Barbara and Hanhardt, John
G., 1991. Yoko Ono: Arias and
Objects. Salt Lake City, Utah: Peregrine Smith Books
Haskell, Barbara,
1984. Blam! The Explosion of Pop, Minimalism and Performance,
1958-1964. New York and London: Whitney Museum of Modern
Art in association with W.W. Norton. ISBN 0874270006
Heiss, Alanna,
1990. Dennis Oppenheim: Selected Works 1967-90. New York:
Institute for Contemporary Art with Harry N. Abrams Inc.
Hendricks, Jon,
ed., 1989. Yoko Ono: The Bronze Age. Cranbrook Academy
of Art Museum
Henri, Adrian,
1974. Environments and Happenings. London: Thames and
Hudson. ISBN 0-500-18143-8 (hbk), 0-500-20137-4 (pbk)
Hewison, Robert,
1986. Too Much: Art and Society in the Sixties.London:
Methuen Paperback
Howell, John,
1992. Laurie Anderson. New York: Thunder's Mouth Press
Huxley, Michael and Witts, Noel, eds., 1996. The Twentieth Century Performance
Reader. London and New York: Routledge. ISBN 0415116279 (hbk),
0415116287 (pbk)
*J
Johnson, Ellen Hulda, 1971. Claes Oldenburg. Harmondsworth:
Penguin
Jones, Amelia,
1998. Body Art. Performing the Subject. Minneapolis, University
of Minnesota Press
Jones, Amelia,
2000. The Artist's Body. Tracey Warr, ed. London, Phaidon.
ISBN 0-7148-3502-1
Juno, Andrea and Vale, V., eds., 1991. Angry Women. San Francisco,
CA: RE/Search Publications. ISBN 0940642247
*K
Kaprow, Allan,
1966. Some Recent Happenings. New York: Something Else
Press
Kaprow, Allan,
1966. Assemblage, Environments and Happenings. New York:
Harry N. Abrams
Kaprow, Allan,
1967. Untitled Essay and Other Works. New York: Something
Else Press
Kaprow, Allan. Kelley, Jeff, ed., 1993. Essays on the Blurring of Art and
Life: Allan Kaprow. Berkeley and London: University of California
Press. ISBN 0520205626
Kaye, Nick,
1994. New Directions in Theatre - Postmodernism and Performance.
London: MacMillan Press
Kaye, Nick,
1996. Art into Theatre: Performance Interviews and Documents.
London: Harwood Academic Publishers
Kirby, E.T.,
1969. Total Theatre: A Critical Anthology. New York: E.P.
Dutton
Kirby, Michael Stanley, ed., 1965. Happenings: An Illustrated Anthology.
New York: E.P. Dutton. London, Sedgwick and Jackson, 1988
Kirby, Michael Stanley, ed., 1986/1987. Futurist Performance.
Manifestos and playscripts translated from the Italian by Victoria
Nes Kirby. New York: PAJ Publications
Kirshner, Judith Russ, 1980. Vito Acconci: A Retrospective 1969 to
1980. Chicago: The Museum of Contemporary Art
Klein, Yves: 1928-62, 1974. Selected Writings. London: Tate
Gallery
Klein, Yves: 1928-62, 1982. A Retrospective. Houston: Institute
for the Arts, Rice University, in association with New York:
The Arts Publisher
Klein, Yves: 1928-62, 1983. Paris: Centre Georges Pompidou. ISBN 2-85850-189-0
Kostelanetz, Richard, 1968. The Theatre of Mixed Means. An Introduction
to Happenings, Kinetic Environments and Other Mixed-Means Performances.
New York: Dial Press
Kostelanetz, Richard, ed., 1970. Imagined Words and Worded Images.
New York: Outerbridge and Dienstfrey
Kostelanetz, Richard, ed., 1980. Scenarios: Scripts to Perform.
New York: Assembling Press
Kostelanetz, Richard, 1988. Conversing with Cage. New York:
Limelight Editions. ISBN 0879101008
Kostelanetz, Richard, 1992. On Innovative Art(ist)s: Recollections
of an Expanding Field. Jefferson, N.C. and London: McFarland
and Co. ISBN 0899506410
Kostelanetz, Richard, ed., 1993a. Writings about John Cage.
Ann Arbor: University of Michigan Press. ISBN 0472103482
Kostelanetz, Richard, 1993. John Cage, writer: previously uncollected
pieces. New York: Limelight Editions. ISBN 0879101644 (hbk),
0879101636 (pbk)
Kostelanetz, Richard, 1994. On Innovative Performance(s): Three
Decades of Recollections on Alternative Theater. Jefferson,
N.C. and London: McFarland. ISBN 0899504736
Kostelanetz, Richard, 1996. John Cage (ex)plain(ed). New York:
Schirmer Books and London: Prentice Hall International. ISBN
002864526x
Kultermann, Udo,
1971. Art-events and Happenings. Trans. John William Gabriel
London: Mathews Miller Dunbar
*L
Lamarche-Vadel, Bernard, 1985. Joseph Beuys: is it about a bicycle ?
Paris: Marval
Labelle-Rojoux, Arnaud, 1988. L'acte pour l'art. Paris: Editeurs
Evidant
Lebel, Jean-Jacques, [OPAC 1966] 1967. Le Happening. Paris:
Donoel et Les Lettres Nouvelles
Lebel, Jean-Jacques, 1969. Entretiens avec le living theatre.
Paris: Editions Pierre Belfond
Linker, Kate,
1994. Vito Acconci. New York: Rizzoli. ISBN 0847816451
Lippard, Lucy,
1973. Six Years. The Dematerialization of the Art Object from
1966-1972. New York
Lista, Giovanni,
1973. Futurisme: Manifestes, Proclamations, Documents.
Lausanne: L'Age d'Homme
Lista, Giovanni,
1976. Theatre futuriste italien. Lausanne
Lista, Giovanni,
1976. Marinetti. Paris: Seghers
Lista, Giovanni,
1977. Marinetti et le futurisme: études documents,
iconographie. Lausanne: L'Age d'Homme
Lista, Giovanni,
1984. Le livre futuriste: de la libération du mot au
poème tactile. Modena: Panini
Lista, Giovanni,
1989. La scène futuriste. Paris: CNRS
Lista, Giovanni,
1991. Les avant-gardes: Giovanni Lista, Serge Lemoine, Andrei
Nakov. Paris: Hazan
Lyotard, Jean-Francois, 1979. La condition postmoderne: rapport sur
le savoir. Paris: Les Editions de Minuit
Lyotard, Jean-Francois, 1990. Duchamp's TRANS/formers. Venice,
CA.: Lapis Press
Lyotard, Jean-Francois, 1991a. Phenomenology. Trans. Brian Beakley.
Albany: State University of New York Press. ISBN 0791408051 (hbk),
079140806x (pbk)
Lyotard, Jean-Francois, 1991b. The Inhuman: Reflections on Time.
Trans. Geoffrey Bennington and Rachel Bowlby. Cambridge: Polity
Press. ISBN 0745612385 (hbk), 0745607721 (cased)
Lyotard, Jean-Francois. Ed. Harvey, Robert and Roberts, Mark S., 1993.
Towards the Postmodern: Jean-Francois Lyotard. Atlantic
Highlands, N.J. and London: Humanities Press International
*M
MacAloon, John J.,
ed., 1984. Rite, Drama, Festival, Spectacle: Rehearsals Toward
a Theory of Cultural Performance. Philadelphia: Institute
for the Study of Human Issues
Maciunas, George,
ed., 1963. Fluxus I: An Anthology. New York: ReFlux Editions
MacQuiston, Liz,
1999. Suffragettes to She-Devils, Women's Liberation and Beyond.
London, Phaidon
Marinetti, Filippo Tommaso, 1919. Le théâtre futuriste synthétique.
Manifeste. Milan: Direction du Mouvement Futuriste
Marinetti, Filippo Tommaso, 1960. Teatro F.T. Marinetti. Ed. Giovanni
Calendoli (3 vols). Rome
Marinetti, Filippo Tommaso, 1971. Selected Writings. Ed. R.W. Flint.
New York
Marsh, Anne,
1993. Body and self: performance art in Australia 1969-1992.
Melbourne: Oxford University Press, Australia. ISBN 0-19-553306-5
Martin, Marianne W., 1968. Futurist Art and Theory, 1909-1915.
Oxford: Clarendon Press
Martin, Randy,
1990. Performance as Political Act: The Embodied Self.
New York and London: Bergin and Garvey
Mason, Bim,
1992. Street Theatre and Other Outdoor Performance. London:
Routledge
Mennekes, Friedhelm, 1992. Joseph Beuys: Manresa, eine Fluxus-Demonstration
als geistliche Ubung zu Ignatius von Loyola. Frankfurt am
Main: Insel
*N
Nachtigaller, Roland and von Velsen,
Nicola, eds., 1992. 3 Vols. Documenta
IX. Stuttgart: Edition[s] Cantz. ISBN 3893223819 (pbk set)
Nitsch, Hermann,
1969. Orgien, Mysterien, Theater. Orgies, Mysteries, Theatre.
German and English. Darmstadt:
Nuttall, Jeff,
1968a. Bomb Culture. London: MacGibbon & Kee
Nuttall, Jeff,
1968b. Journals. Brighton: Unicorn Bookshop
Nuttall, Jeff,
1979. Performance Art: Memoirs (Volume 1). London: John
Calder Press and Dallas, Texas: Riverrun Press. ISBN 0-7145-3711-X
(hbk), 0-7145-3788-8 (pbk)
Nuttall, Jeff,
1979. Performance Art: Scripts (Volume 2). London: John
Calder Press and Dallas, Texas: Riverrun Press. ISBN 0-7145-378-96
*O
Oldenburg, Claes Thure, and Williams,
Emmett, selectors, 1967. Store
Days. Documents from The Store, 1961, and Ray Gun Theater, 1962.
New York: Somethng Else Press
Oldenburg, Claes,
1971. Notes in Hand. Switzerland: Petersburg Press
Oldenburg, Claes,
1973. Raw Notes. Halifax, Canada: Nova Scotia College
of Art and Design
Oldenburg, Claes,
1991. Claes Oldenburg: Multiples in Retrospect, 1964-1990.
New York: Rizzoli. ISBN 0847813355
Oldenburg, Claes,
1995a. Claes Oldenburg: An Anthology. New York: Guggenheim
Museum. ISBN 0810968878 (hbk), 0892071397 (pbk)
Oldenburg, Claes,
1995b. Large-scale Projects: Claes Oldenburg, Coosje van Bruggen.
London: Thames and Hudson. ISBN 0500236992
Oppenheim, Dennis,
1990. Dennis Oppenheim Retrospective 1970-1990. Athens:
Perides Museum of Contemporary Art
Orlan,
1996. This is my body... this is my software. London:
Black Dog
Orlan,
1997. De l'art Charnel au baiser de l'artiste. Paris:
Stéphane Place et Jean-Michel Place, collection sujet-objet
Ono, Yoko,
1970. Grapefruit. London: Peter Owen
*P
Pane, Gina,
2000. Gina Pane. Le Mans: École supérieure
des Beaux-Arts, ISBN 2-906743-09-7
Pane, Gina,
1985. Partitions, Opere multimedia 1984-85, curator: Lea Vergine.
Mazzotta
Pluchart, François, 1975. L'art corporel. Paris: Limage 2
*R
Rainer, Yvonne,
1974. Work 1961-73. Halifax, Nova Scotia and New York:
Nova Scotia College of Art and Design and New York University
Rainer, Yvonne,
1989. The Films of Yvonne Rainer. Bloomington: Indiana
University Press. ISBN 0253349060 (hbk), 0253205425 (pbk)
Ratcliffe, Carter,
1986. Gilbert and George: The Complete Pictures 1971-1985.
New York and London
Read, Alan,
1993. Theatre and Everyday Life: An Ethics of Performance.
London: Routledge
Readings, Bill,
1991. Introducing Lyotard: Art and Politics. London: Routledge
Reinelt, Janelle G. and Roach, Joseph
R., eds., 1992. Critical Theory
and Performance. Ann Arbor: University of Michigan Press.
ISBN 0472094580
Rich, B. Ruby,
1981. Yvonne Rainer. Routledge. ISBN 0-415-09936-6
Roth, Moira,
ed., 1983 [1982 - Goldberg]. The Amazing Decade: Women and
Performance Art in America, 1970-1980. Los Angeles: Astro
Artz
*S
Saint-Point, Valentine de, 1996. Manifeste de la femme futuriste
- Manifeste futuriste de la luxure - Le théâtre
de la femme - La Métachorie. Présentation de Giovanni
Lista. Paris: Séguier. ISBN 2-84049-074-9
Saint-Point, Valentine de, Interview with Saint-Point, 1917, Djuna Barnes:
Interviews, 1985. College Park, Sun & Moon
Sandford, Mariellen R., ed., 1995. Happenings and Other Acts.
London: Routledge. ISBN 0-415-09936-6
Sayre, Henry M.,
1989. The Object of Performance: The American Avant-Garde
Since 1970. Chicago: University of Chicago Press
Schechner, Richard,
1965. Rites and Symbols of Initiation. New York: Harper
Schechner, Richard,
1969. Public Domain: Essays on the Theatre. Indianapolis,
Ill. and New York: Bobbs-Merrill Co
Schechner, Richard,
ed., 1970. The Performance Group: Dionysus in 69. New
York: Farr, Strauss and Giroux
Schechner, Richard,
1994. Environmental Theatre. Expanded new edition. New
York and London: Applause. ISBN 1557831785
Schechner, Richard,
1977. Essays on Performance Theory, 1970-76. New York:
Drama Book Specialists
Schechner, Richard,
1982. The End of Humanism: Writings on Performance. New
York: Performing Arts Journal Publications. ISBN 0933826192,
0933826184
Schechner, Richard,
1983. Performative Circumstances: From the Avant-garde to
Ramlila. Calcutta: Seagull
Schechner, Richard,
1985. Between Theatre and Anthropology. Philadelphia:
University of Pennsylvania Press. ISBN 0812279298
Schechner, Richard,
1988. Performance Theory. 2nd (revised and expanded) edition.
London and New York: Routledge. ISBN 0415900921 (hbk), 041590093X
(pbk)
Schechner, Richard, and Appel, Willa, eds., 1990. By Means of Performance: Intercultural
Studies of Theatre and Ritual. Cambridge: Cambridge University
Press. ISBN 0521339154 (pbk)
Schechner, Richard,
1993. The Future of Ritual: Writings on Culture and Performance.
London and New York: Routledge. ISBN 0415046890
Schneemann, Carolee, 1979. More Than Meat Joy: Complete Performance
Works and Selected Writings. New York: McPherson
Schneemann, Carolee, 1997. Carolee Schneemann: Up To And Including
Her Limits. Dan Cameron with Kristine Stiles, Marcia Tucker.
New Museum of Contemporary Art
Shattuck, Roger,
1968. The Banquet Years: The Origins of the Avant-Garde in
France, 1885 to World War 1: Alfred Jarry, Henri Rousseau, Erik
Satie, Guillaume Apollinaire. Revised edition. New York:
Vintage Books. First edition 1959 London: Faber and Faber
Shyer, Laurence,
1989. Robert Wilson and his Collaborators. New York: Theatre
Communications Group
Sohm, Hans,
ed., 1970. Happening and Fluxus. Exhibition catalogue.
Cologne: Kunstverein
Sprinkle, Annie,
1991. Post-Porn Modernist My 25 Years as a Multimedia Whore.
Revised and updated edition, San Francisco:
Cleis Press, 1998. First printing, Torch Gallery, 1991. Second
printing, Art Unlimited, 1993
Stern, Carol Simpson and Henderson,
Bruce, 1993. Performance: Texts
and Contexts. White Plains, N.Y.: Longmans
Sundell, Nina,
1984. Rauschenberg/Performance 1954-1984. Cleveland: Cleveland
Center for Contemporary Art
*T
Taylor, Joshua C.,
1961. Futurism. New York: Museum of Modern Art
Thistlewood, David,
ed., 1995. Joseph Beuys: Diverging Critiques. Liverpool:
Tate Gallery and Liverpool University Press. ISBN 0853233497
Tisdall, Caroline, and Bozzolla, Angelo, 1977. Futurism. London: Thames and Hudson
Tisdall, Caroline,
1979. Joseph Beuys. London: Thames and Hudson
Tomkins, Calvin,
1996. Duchamp: A Biography. New York: H. Holt. ISBN 0805008233
Tufnell, Miranda and Crickmay, Chris, eds., 1990. Body, Space, Image: Notes Towards
Improvisation and Performance. London: Virago. ISBN 1-853811-31-9
*U
Ugwu, Catherine,
ed., 1995. Lets Get It On - The Politics of Black Performance.
London: Institute of Contemporary Arts and Seattle: Bay Press.
ISBN 0905263642, 094192033X (U.S.)
*V
Vanden Heuvel, Michael, 1991. Performing Drama/Dramatizing Performance:
Alternative Theater and the Dramatic Text. Ann Arbor: University
of Michigan Press. ISBN 0472102400
Vautier, Ben,
1975. Me Ben I Sign. Trans. from the French by David Mayor.
Cranleigh: Beau Geste Press
Vautier, Ben,
1995. Ben, Pour ou Contre - Une Rétrospective.
Marseille: Galeries Contemporaines des Musées
Vergine, Lea,
1976. Dall'informale alla body art: Dieci voci dell'arte contemporeana:
1960/1970. Turin: Cooperativa Editoriale Studio Forma
*W
Wilke, Hannah,
1989. Hannah Wilke: A Retnospective. Exh. cat. Columbia:
University of Missouri Press
|
