|
|
Adrien Sina is architect, artist, curator, dance & performance art historian. He has curated cross-disciplinary exhibitions involving architecture, performance & new media: ‘Fugitive Fluctuations’, 1995-96, ‘Tragédies Charnelles’ and ‘Immanences Spatiales’, Crayères of the Château de Pommery, 2000; ‘Feminine Futures’, Performa Biennial, New York, 2009; ‘Feminine Futures’, Le Consortium Contemporary Art Centre, Dijon, 2014; ‘Feminine Futures: The Membrane of the Dream I & II’, Museum Langmatt, Switzerland, 2015. Through curatorial advice and theoretical essays he has contributed to ‘Art, Lies and Videotape: Exposing Performance’, Tate Liverpool, 2003; ‘Traces du sacré’ and ‘Danser sa vie’, Centre Pompidou, 2008/2011; ‘Futurism’, Tate Modern, 2009; ‘Inventing Abstraction’, Museum of Modern Art, New York, 2013; ‘The Great Mother’, Palazzo Reale, Milan, 2015; ‘Elles font l’Abstraction’, Centre Pompidou & ‘Women in Abstraction’, Guggenheim Bilbao, 2021-2022, ‘The Milk of Dreams’, La Biennale di Venezia, 2022. He was Thinker in Residence at London’s Live Art Development Agency, advisor for ‘PSi #12, Performing Rights Festivals’, 2005-08. Solo exhibitions: ‘Archaeology of Desire – A history of medical gaze and flesh’, t1+2 artspace, 2005 & Richard Rogers’ NEO Bankside Pavilion, London, 2012-2013. ‘Democracy Pavilion’, Open City Festival, Lublin, 2019. He published ‘Feminine Futures: Performance, Dance, War, Politics & Eroticism’ in 2011 & ‘Feminine Futures: Expression / Abstraction – The Membrane of Dreams. Avant-garde expressive & abstract dance through photography & experimental film’, 2024. Since 2020, he has curated ‘Feminine Futures : Ukraine – War | Oppression | Dystopia’ presented at the Centre Pompidou, Hors Pistes Festival, Paris | Summerhall, Edinburgh | The Courtauld + Goldsmiths, University of London, at the Renaissance Festival – Universitat Politècnica de València, 2023. He is the Director / Curator of ‘Feminine Futures – Exhibitions, Collections & Publications’. | |
 |
| Democracy Pavilion, Adrien Sina 11th Festival of Art in Public Spaces : Open City / Hospitality, Lublin, 13 Sep – 11 Oct 2019 Curated by Paweł Leszkowicz & Tomasz Kitliński Text by Sarah Wilson |  |
|
| Feminine Futures – The Membrane of the Dream I/II Part I: 26 April – 30 August, 2015 Part II: 6 September – 29 November, 2015 Curated by Adrien Sina Museum Langmatt, Switzerland |  |
|
| Feminine Futures – Avant-garde female artists in the fields of performance and dance | Feminine Futures curated by Adrien Sina, was first exhibited at the Italian Cultural Institute in New York in 2009 for the PERFORMA Biennial directed by RoseLee Goldberg. In 2014, Feminine Futures is shown at The Consortium Art Centre in Dijon, directed by Xavier Douroux, and in 2015 at the Museum Langmatt in Baden directed by Sarah Zürcher. |
|
| Feminine Futures Valentine de Saint-Point Performance, Dance, War, Politics and Eroticism Curated & edited by Adrien Sina Les presses du réel, November 2011 |  |
|
|  | |
| Feminine Futures Texts by Adrien Sina, Giovanni Dotoli, RoseLee Goldberg (Performa), Nancy G. Moore, Philippe de Lustrac, Sander L. Gilman, Frédérique Poissonnier, Maja Durinovic, Sarah Wilson, Patricia Guinard, Eric-Noël Dyvorne, Barbara Ballardin.  | |
Feminine
Futures. Historical Section, the first half of the twentieth century |
| Cybercities, megacities, slumcities Adrien Sina, 2012 |  |
|
 |  |  |  |  |  |
 |  |  |  |  |  |
 |  |  |  |  |  |
 |  |  |  |  |  |
 |  |  |  |  |  |
 |  |  |  |  |  |
 |  |  |  |  |  |
 |  |  |  |  |  |
 |  |  |  |  |  |
| © Adrien Sina, 2024 | |
|
